Tucked within the fascinating world of technology and art lies the extraordinary story of Neil Harbisson, vividly captured in Carey Born’s documentary, “Cyborg: A Documentary.” This film delves into the life of Harbisson, an artist and musician who experiences the world through a unique lens: he is colour blind. To bridge this gap, he has integrated a remarkable antenna into his skull, a pioneering invention crafted by cyborg technology expert Adam Montandon. This device enables Harbisson to convert wavelengths of colour into sound, allowing him to “hear” colours — a captivating blend of sensory experience and human augmentation.
Born’s portrayal of Harbisson takes his self-identification as a “cyborg” seriously, highlighting his role in a shifting landscape toward transhumanism. Yet, reactions from people interacting with him often oscillate between intrigue and polite skepticism. A standout moment occurs during an appearance on the Richard and Judy Show in 2004. Richard Madeley challenges Harbisson with a blue-painted apple, prompting him to identify its colour via the sounds generated by his antenna. Harbisson’s success in this task raises questions about the methodology; a blindfold test would certainly offer a more rigorous assessment of his abilities.
As the film progresses, we see Harbisson venture into entrepreneurial realms, promoting an array of products designed to enhance sensory perception and championing the ethos of cyborgism. One such product, called “North Sense,” is a skin-mounted device that vibrates when the wearer is facing north. However, one might question its practical utility compared to conventional tools like smartphone compass apps or even traditional compasses—a nod to the blend of art and technology that Harbisson embodies.
“Cyborg: A Documentary” hits UK cinemas on September 20.
The film not only entertains but serves as a thought-provoking exploration of identity, technology, and the future of human experience. Harbisson’s narrative challenges viewers to rethink traditional boundaries and consider the implications of merging humanity with technology. His endeavors evoke conversations around the evolving nature of perception and enhancement, making the documentary a significant contribution to the discourse on transhumanism. This timely examination is bound to resonate with those intrigued by the intersection of human capabilities and technological advancements.
In conclusion, “Cyborg: A Documentary” offers a captivating glimpse into the extraordinary life of Neil Harbisson, making it a must-see for anyone fascinated by the possibilities of technology and the quest for enhanced human experience. As we continue to navigate an increasingly digital world, Harbisson’s story invites us to ponder the limitations of our senses and the potential of innovation in transcending them.
